The Way Way Back is a 2013 coming-of-age film, written and directed by Nat Faxon and Jim Rash in their directorial debut.
Gravity dazzles in a way few films can, with Bullock's stellar performance ensuring you're glued to the screen. A must-watch, 4.5/5.
The thing I don't understand about these dystopian stories are why the leaders of the new societies are always these crazed luncatics.
The film is pretty much a really long Veronica Mars episode. And that isn't necessarily a bad thing. I enjoyed it.
Amy Pratt dives into Rio 2, where vibrant animation meets a 'nice' storyline, perfect for under-10s but a DVD choice for others. 3/5 rating.
Vampire Academy: A laughably bad tale that embraces its absurdity, unlike its self-serious counterparts. A regrettable watch, even for laughs.
Aaron Paul races into hearts in Need for Speed, but with cliches and suspect plot, it's more a pit stop in action cinema than a new flagbearer.
Noah reimagines an ancient tale with star-studded cast and epic fervour, ensuring a cinematic voyage worth the watch.
Grimy, greyscale and undeniably grim, The Road takes the old post-apocalyptic wasteland scenario to a new level of haunting, harrowing realism.
Titles include some well-known films, such as George A. Romero's classic, Night of the Living Dead, as well as many lesser-known titles.
Vexille dives into a dark future of 2077 Japan under lockdown, exploring themes of isolation and the peril of unchecked technology.
Diving into Eraserhead's labyrinth will leave you questioning if cinema has ever been as eerily bizarre. A Lynch classic that defies norms.
Family Guy lampoons Star Wars again with 'Something, Something, Something Darkside', blending iconic sci-fi with irreverent humour.
Watchmen redefines superhero cinema with its dark, intellectual take on an alternate 1985, blending violent spectacle with deep existential questions.
After the completion of The King of Iron Fist Tournament 4, a fierce battle between father and son unfolded at Mishima Zaibatsu headquarters.
